Tag Archives: Media Training

The Problem With Beautifully Designed Slides

With all the big stages I’ve been appearing on, I thought it would be a good idea to finally bring in a professional designer. The slides she produced were gorgeous, powerful, and very effective. I received tons of compliments. But there is a problem with beautifully designed slides.

In the past, I’d done the typical amateur design. I’m pretty facile with PowerPoint and Keynote, so I would take my business’s branding elements and do my best to make the slides look good. They’d typically have a single text statement, a Speakret® or a Ruth’s Truth, that would trigger a good paragraph or two of spoken content. Sometimes I’d add an image and sometimes there were bulleted or numbered lists. I’m choosy about fonts and I know how animations and slide transitions can add to engagement, but am careful not to overdo the bells and whistles.

Now, however, I thought it was time to kick it up a notch or two, to have my visuals match my position and brand. I knew I needed beautifully designed slides.

My goal was to have more images than text. I also wanted to include videos (which I’ve done before), GIFs, audio, and other effects. Of course, they all had to align with and support the messages I wanted to convey.

The slides came back and they were great… beautiful, really… and after a couple of revisions, I was good to go. To practicing, that is. And that’s when I realized the big challenge inherent in having graphics instead of words:

I could no longer use my slides as content cues or speaker notes.

Oops.

I hadn’t recognized how dependent I’d become on the actual slide content to help lead me through the presentation without referring to paper notes and without stumbling too much. Think about it: Slides with few or no words mean you have to really learn the slide sequence, what points you want to make on each slide, and the transitions to the next slides

Now, truth be told, I had confidence monitors to rely on. These are TV-type monitors that sit on the floor at the apron of the stage or at the foot of the stage itself that a speaker can subtly glance down at. These replace the paper notes.

But technology has a habit of not always working the way you want it to. So, for example, at one speech, during the dry run, the AV team had trouble putting what I needed to see on these slides. Instead they put the actual slide that the audience would see. I told them that would be of no help to me and hoped and prayed they’d figure it out. They did. During the dry run.

When I stepped out onto the stage for the actual performance, however, I immediately noticed one monitor that was facing stage right had the correct information and the other, facing stage left, was wrong. Oh well! Now, did I just stay on the right side of the stage? No. And here’s why.

I had practiced until I was blue in the face, that’s why. So even though the talk wasn’t memorized, it was learned. I was able to command every part of that stage. No one but me knew,  the presentation went smoothly, and no one was the worse for wear. I gifted myself with a big, fat vodka after that one!

But what if I had walked out and both monitors had been incorrect? Well, then I would have felt more stress. Knowing how with so many moving parts, things can go south, I had earlier asked the stage manager place my paper notes on a table I’d ordered to be on the platform, just in case. There is so much security anticipating the worst and being ready for anything. My clients know me for this level of preparedness.

The upshot is although I received many compliments on these beautifully designed slides,  if I hadn’t rehearsed and practiced out loud as much as I did, I could’ve been and probably would’ve been thrown. I would not have been at the top of my game. I’m polished enough so no one would likely have noticed.

Except me. And that’s enough – even with or especially with beautifully designed slides – to cover all my bases.

Delivered the Big Speech at INBOUND

So, it happened. I finally delivered the Big Speech at INBOUND, the one I’d been working on for what seemed like forever and bringing you along with me through my process and struggles. Then, Boom! the event was here and it was the moment of truth.

So, how’d it go, you wonder?

Great! Just great! (Here is a video of the presentation I recorded. Quality is not great, but you’ll get the idea.)

The people were as engaged as any group would be after having just seen former First Lady Michelle Obama deliver her big speech on the main-stage.  I’d thought that would make me more nervous and truth to tell, it did during the lead-up. But then, once I was in the room, and the people began filing in and I saw how happy and energized everyone was, it ultimately made my job easier. I just had to keep them that way and my meticulous planning did exactly that.

Still, as I confided in my previous posts (here, here, here, and here), since it was a new topic, it was untested. I didn’t know whether my stories would resonate, whether they’d laugh in the right places, or whether I’d be able to convert them.

I didn’t know whether I’d pass my own, high-stakes “waiting-in-line” test.

So I’m thrilled to report it all worked out. At the same time, I learned a few things. Here they are:

  1. The next time I follow a famous person, I’ll remember how they warmed up the audience for me and I’ll be grateful instead of worried.
  2. My writing and ideas for content for a big speech were validated. After so many years of experience, I generally know what people will like and what they won’t, what will make them laugh and what will make them think, but again, untested is untested, so time to exhale.
  3. They won’t always laugh in places I might expect and that’s due to the nature of the audience. The more different types of audiences I have under my belt, the better I’ll be able to judge.
  4. Keeping things short is my biggest frustration and took the most time during the endless preparation process. I was still cutting until about 2 hours prior and I generally don’t advise that. But they actually had it set up so speakers could make last minute revisions, so I was glad I took advantage of it.
  5. Based on the response, I was the only one who missed the things I cut and I will save them for a longer talk.
  6. My slides were awesome because I had them designed by a pro. They were extremely visual with very little text. I got a lot of compliments on them.
  7. I used a variety of media. So not only images, but props, GIFs and videos, too. There was very little text.
  8. I wore a cool new outfit and wore stylish, but comfortable shoes. (for the PA Conference, I wore ridiculous shoes, which I’m returning.)

Oh, and through a giveaway they could receive by texting a keyword to a code, I captured about 60% of the over approximately 1100 people who saw me. Not a bad conversion rate.

Practice + Experience (really does) = Spontaneity.

Now I have a hot, new, well-received topic I can bring elsewhere confident people will enjoy it and get the outcomes they came for.

And I am confident you can, too.

Finished My Big Speech!

It’s done. Finally. Yes, I have finished the big speech. Now I’m in practice mode, saying it over and over, repeatedly, so even if the technology goes down, I’ll be able to give my audience what they came for. The slides are due today in fact, so I couldn’t change it even if I wanted to.

I did a lot of cutting. I was reminded during this process that although it hurts at first, soon enough, I don’t miss the darlings I had to kill.

But here’s the rub…

I’m bored with it. I wonder if people will be engaged. Will they laugh at the funny stuff? Will the technology go south? Will I forget something important? Will the videos play? Will it meet the audience’s expectations?

I can’t seem to work up the enthusiasm I once had during the creative process. On the other hand, people tell me it’s very good. I also know intellectually, that once I get up there with the audience in place to engage with and the adrenaline flowing, it’ll all be fine.

Emotionally, however, it’s hard to internalize. I know it will work, but I don’t feel it. Not yet.

At this point, I have been trying to put some space between it and me. There was an entire week when I didn’t bother with it at all. Then when I got back to it, I felt rusty. Ugh! So, I’ve committed to myself to run it every weekday, and starting on the 20th (exactly a week before) every day.

If it sounds like I torture myself, you’re right, I do. It’s work of art… I’m creating an experience, delivered in a particular way that will make people feel something. I want them to leave better than they entered.

The truth is, I won’t know if it will do what I hope it will do until it’s done. Now that I can get excited about. I can’t wait for that. As Michael Caine said, “Rehearsal is the work. Performance is the relaxation.

I’m ready for that.